Cassia, Zizyphus, and Amla: Conditioners Without Color Change

Amla, Cassia, Zizyphus powder

Henna provides some great conditioning benefits, but these benefits go hand-in-hand with color change.  The lawsone molecule binds permanently to the keratin in your hair, providing strength and shine while dyeing the hair. That’s great for those who wish to dye and condition their hair simultaneously. But what if you’ve already achieved your desired color, and want to regularly condition without seeing the color darken? Continued application of henna can cause the hair to become a darker and darker color. Or, what if you have light or gray hair which you wish to keep the way it is?

              Ancient Sunrise® Cassia provides similar conditioning benefits as henna with little to minimal color change on darker hair colors. Ancient Sunrise® Zizyphus Spina Christi cleanses and conditions the hair with no color change at all. Repeated applications of henna can also cause curl pattern loosening for some. Some find that using Ancient Sunrise® Amla alone in the hair helps to bring back volume, while others find that cassia helps to restore their curls. This article will explain how to use Cassia, Zizyphus, and Amla powders as hair treatments that provide conditioning without color change.

The Plant Powders

Cassia Auriculata, Cassia Obovata, Zizyphus Spina Christi, and Amla (emblica officinalis) powders all work in different ways. Cassia works most similarly to henna. Its dye molecule, chrysophanol, binds to the hair much like henna’s lawsone molecule does. Cassia makes the hair shiny and strong, and for some, can restore the hair’s natural curl pattern. Cassia’s conditioning effects can last up to a month or longer. Zizyphus acts as a two-in-one cleanser/conditioner that adds a thin plant wax coating to the hair, protecting it from environmental effects, and giving the hair shine and strength. Zizyphus can be used weekly. Amla is not a conditioner as much as a hair treatment most useful for those who wish to give their hair extra body and bounce. Each of these powders has a unique process. Continue reading to learn the best ways to use them.

Cassia Obovata and Cassia Auriculata Powder

For Benefits Similar to Henna, and for Curls

Ancient Sunrise® Cassia is great if you love the way that henna makes your hair strong and shiny, but want to avoid repeating full-head henna treatments which may darken your color. Cassia can be used in one of two ways:

              For a quick conditioning treatment, mix Ancient Sunrise® Cassia powder with distilled water and apply immediately. Cover and leave it on the hair as long as desired (one hour is good). This is a good method for those who have light or gray hair and do not want a noticeable color change. This method will condition hair with little to no color change, but will not yield effects that are as strong or permanent as the method below.

              For a more effective, and longer-lasting conditioning treatment, mix cassia with a mildly acidic liquid or an Ancient Sunrise® fruit acid powder and distilled water, and allow it to dye-release at room temperature for 8-12 hours just as you would with henna. Apply, cover, and leave in the hair for one hour to several hours. Those with darker hair will not see any color change. Lighter or gray hair will be dyed a golden tone.

Cassia Obovata dye molecule

              Ancient Sunrise® cassia, like Ancient Sunrise® henna, can be applied to either damp or dry hair. Ancient Sunrise® Clarity Cassia has a fine sift and is great for those with thin, delicate, and damaged hair.

              Important: Cassia’s dye molecule reacts poorly with minerals. The golden tone can become muddy and brown if you have mineral build-up in your hair. It is best to do a Rainwash treatment ahead of time for the best results.

              Cassia can be used as a conditioner once a month, or more frequently if desired. Its effects are not as permanent as henna; it is fine to apply a new treatment whenever you feel your hair needs it.

Cassia Auriculata has a weaker dye molecule than Cassia Obovata, but it is a great replacement. You can learn more about Cassia Auriculata here: http://www.hennaforhair.com/faq/Clarity_cassia-auriculata.pdf.

Zizyphus Spina Christi Powder

For Clean, Shiny Hair Protected Against the Elements

Zizyphus Spina Christi does not contain a dye molecule. Its natural saponins and plant wax clean the hair and protect it with a thin, flexible layer. Ancient Sunrise® Zizyphus is perfect for those who want absolutely no color change. Use zizyphus before and/or during a trip to the beach or the great outdoors. It protects the hair from salt water, wind, and dirt. Some notice that they can wash their hair less frequently when using zizyphus (Note: Please wash your hair once it feels greasy, or smells bad.) It is quicker and easier to use than cassia, but its effects are washed away after a number of shampoos.

              To use Zizyphus Spina Christi powder, mix a heaping tablespoon of powder with distilled water until it becomes a fluffy paste. Bring this paste to the shower with you, and set it nearby, but away from the direct stream of water. Wet your hair, and apply the paste from scalp to ends, massaging your scalp. You may need to work in sections. Leave the paste in your hair for several minutes, then rinse. If you are having trouble rinsing the paste completely, use a small amount of conditioner or a vinegar rinse to give your hair more slip. Dry and style as usual. You can use zizyphus once or twice a week. More often may cause a build-up of the coating, causing your hair to feel stiff or waxy.

              As zizyphus creates a hydrophobic barrier over the hair, make sure to wash your hair with a normal detergent shampoo prior to applying a plant powder dye to ensure effective dye uptake.

Important: If you are sensitive to latex, conduct a patch test before using zizyphus. Those with latex allergies often experience a cross-reaction when using zizyphus.

              Read more about Zizyphus Spina Christi here.

Amla (Emblica Officinalis) Powder

For Fluffy, Voluminous Hair

As noted earlier, amla is not necessarily a conditioner in the same sense as cassia and zizyphus are. It is acidic, and therefore may be drying for some. When used in a plant dye mix, amla can prevent the curl loss that sometimes occurs with henna. On its own, amla can give the hair more volume and bounce. It does this by temporarily loosening the hydrogen bonds in keratin, allowing the hair to be reshaped.

Amla powder

              Mix Ancient Sunrise® Amla powder with distilled water into a thin paste. It does not have to be as thick as henna. Apply from roots to ends, cover, and leave in for 10 minutes. Rinse, and set towel-dry hair in a braid, curlers, or another heatless curl method. When the hair is dry, it will be fuller and fluffier.

              Ancient Sunrise® Amla can be used as an acid to dye-release cassia. Mix 25g amla for every 100g cassia, and add distilled water. Follow the instructions above for applying and processing cassia.

              Read more about various uses for Ancient Sunrise® Amla Powder here.

Final Notes

Repeated applications of any of these methods will show more improvement in hair quality over time. Conditioning protects the hair against damage, and balances moisture retention, allowing the hair to stay stronger longer. For best results, use Cassia monthly (or more often if desired), Zizyphus weekly, and Amla whenever you wish to add some temporary oomph to your hair. These methods can all be used on hair that has been treated with plant dyes, as well as hair that has not.

If you have any additional questions about using these products to add strength, shine, and body to your hair, feel free to contact a Customer Service Representative via phone, email, or online chat.

Author: Rebecca Chou
Updated by Maria Moore 11/16/22

How to Prepare Your Hair Before Using Henna

People frequently ask what they should or should not do to their hair before applying henna. Does hair need to be clean, or left unwashed? Can it have conditioner on it? Should it be wet or dry? As henna works differently from conventional hair dyes and treatments, these questions are valid. This article will explain the best ways to prepare your hair for your henna treatment to obtain the best results.

First of all, hair should definitely be clean. But “clean” means several things. For henna and plant dye mixtures, it means, 1) free of dirt; 2) free of oils, both natural and added; and 3) free of mineral build-up. Dirt, oil, and mineral build-up all create barriers that prevent the dye from binding properly to the hair strand, for the best coverage and permanence, it will be important to start with squeaky-clean hair. Second, it is important to avoid adding oils or conditioning products to the hair prior to using henna, as they can inhibit dye uptake. Finally, hair can be either damp or dry when applying henna, whatever makes the hair easier to separate into sections for application. Continue reading to learn more about how to prep your hair and why.

Remove Dirt

When left unwashed, hair collects dirt and pollutants from the environment, as well as dead skin and materials excreted through the sweat glands. Combined with the body’s natural oils and heat, the hair becomes a perfect playground for bacteria and microbes.

              While henna has anti-microbial properties, it does not necessarily make for the best hair cleanser. Henna is best known for its coloring and strengthening properties, which come from the dye molecule, lawsone. Dirty hair does not allow for as much dye uptake as clean hair, therefore limiting the benefits. No one wants to go through the process of applying henna and leaving it on for several hours just to see that their hair was not colored sufficiently.

              The simplest way to remove dirt is with a standard detergent shampoo. A clarifying shampoo would be even better. Shampoo bars, natural shampoos, and shampoo alternatives may not effectively clean the hair of dirt and oil, and may actually leave a residue which creates an additional barrier. Baking soda does not clear out sebum as effectively as shampoo, and may interact negatively with dye molecules.

              Ancient Sunrise® shampoo bars and Ancient Sunrise® Zizyphus Spina Christi powder are great cleansers for any time other than right before henna. The shampoo bars are oil-based, and Zizyphus leaves a natural waxy coating on the hair. If you use either of these, it is recommended to wash your hair with a regular detergent or clarifying shampoo to remove any residue.

Remove Oil

While it is important to wash away the dirt and oil that naturally accumulates in the hair, it is equally important to avoid applying any additional oils. If you use oils or conditioners, these need to be washed out.

              Indigo is particularly sensitive to barriers such as oil, and will not bind as successfully unless the hair is completely clean. Those who have particularly resistant hair may want to try washing their roots with a few drops of dish soap. Dish soap is a strong detergent that will strip out any oils and temporarily rough up the cuticle to allow for better dye penetration.

Remove Mineral Build-up

Minerals from tap water accumulate in the hair over time. They can cause the hair to feel drier and more brittle, prevent dye uptake, and affect the color. Hennaed hair will darken with mineral build-up. Cassia can react with minerals in the hair, turning the hair muddy-colored or greenish rather than golden.

              Ancient Sunrise® Rainwash Mineral Treatment is great to use prior to henna treatments, and regularly to keep the hair bright and soft. Those who live in areas with hard water will notice the effect of minerals more quickly and will need to clean their hair of mineral build-up more often. All tap water contains some level of mineral content, so Rainwash is always a safe bet, no matter what type of water you have.

              Rainwash comes in powder form. Mix it with distilled water until it thickens into a gel consistency. Apply throughout the hair, wrap the hair with plastic, and leave it in for 15-40 minutes. A deep cleanse will require forty minutes, while fifteen is enough if you are using the product regularly. During this time, the product is dissolving minerals out of the hair, and it is normal to notice a metallic or sulfur smell. Rinse well. Using a dab of shampoo will ensure that all of the gel and minerals are thoroughly rinsed out.

Avoid Conditioner and Oils

For best dye results, it is important to skip the conditioner before applying henna. As mentioned before, oils create a barrier and prevent the dye from binding properly to the hair.  The glycerin and silicone compounds in conditioning products do the same.

              Some people are concerned that their hair will be difficult to manage without conditioner. A vinegar rinse can help to keep the hair slippery enough to work with. Do this as the last step after using Rainwash and shampoo. Rinsing the hair with cool water can also help the hair become smoother.

Wet or Dry?

Finally, people commonly ask whether to apply henna to wet or dry hair. Either way is fine; whatever makes your hair easier to separate into sections. Hair should be at least towel-dry, or the paste is apt to get thin and runny once it is on. Also, be aware that hair is more fragile and prone to stretching while wet.

Best Practice

Putting all of this information together, here is the best way to prepare your hair before henna.

1. Mix and apply Ancient Sunrise® Rainwash according to the instructions.

2. After leaving the Rainwash mixture in your hair for the recommended amount of time, rinse your hair and use a detergent or clarifying shampoo.

3. For extra oily or dye-resistant hair, use a few drops of dish soap.

4. Remember not to use conditioner.

5. If skipping conditioner makes your hair unmanageable, rinse your hair with diluted vinegar and cool water to give it extra slip.

6. Dry your hair to the point where it is no longer dripping. Damp or fully dry hair is fine.

7. It is best to do all of this right before applying henna, rather than the day or evening before.

When Doing a Two-step Process for Black Hair, or Re-applying a Mix

The above information applies to using henna and indigo in two separate steps, or any time when another mix is used shortly after the first one, such as in the case of missed spots or a result that is too light.

              It is especially important that the hair is clean and free of oils before applying indigo. If you are applying both steps of a two-step process on the same day, simply rinse and shampoo out the henna paste, towel- or blow-dry your hair, and apply the indigo. Indigo can be applied up to 48 hours after rinsing henna; if you plan to wait, it is important to wash your hair again right before you apply indigo.

              As a general rule of thumb, any time you plan to apply a plant dye mixture to your hair, it is best to have it as clean as possible immediately prior to application.

If you have any additional questions, don’t hesitate to contact Ancient Sunrise® Customer Service via phone, email, or online chat at www.mehandi.com.

Twelve Ways to Prevent Hair Damage

Human hair is a complex thing. Each strand consists of several layers which contribute to the structure, shape, and color of the hair. The outer layers are made of several tiny keratin scales (cuticles), which overlap like shingles. The core (cortex) of the hair strand consists of bundles of long, thin cells that contain melanin, the hair’s natural pigments. The hair also contains lipids, or fats, which balance moisture. Additional lipids are deposited onto the surface of the hair via the scalp’s sebaceous glands.

Healthy hair does pretty well at maintaining its own moisture levels. The sebum and keratin on the surface of the hair provide a hydrophobic barrier to prevent excess water from entering the cortex. It may sound counter-intuitive, but too much water is not good for the hair. If water enters the center of the hair strand, the cortex swells and the overall structure of the hair weakens. This is why hair becomes more stretchy when wet. Healthy hair will stretch to an extent, and bounce back. Hair that has been damaged will remain stretched, and break if stretched too far.

On the other hand, if the cortex is completely depleted of moisture, the hair becomes brittle, and breaks. Think of the cortex like a bundle of al-dente pasta. If it soaks up too much water, it becomes mushy and unstable. If it is desiccated, it becomes brittle and snaps.

Hair is made of a bundles of cortical cells containing melanin, surrounded by keratin scales.

Maintaining healthy hair requires keeping the keratin layers as intact as possible. When new hair growth exits the scalp, it has several layers of keratin cuticles which are tight and flat. Normal weathering causes the cuticles to lift, then chip away. If most or all of the layers erode, the cortex is exposed, and it unravels like the end of a rope. This is what causes split ends, also known as trichoschisis. There is no way to “fix” split ends, except to trim them away with professional shears (regular scissors can cause split ends). You cannot glue the cortex back together and put a new coating of keratin over it. Maintaining healthy hair is all about being proactive, not reactive. There is nothing that can reverse damage once it has occurred.

When keratin cuticles are entirely weathered away, the cortical cells are exposed and eventually split.

The biggest outside threats to hair health are friction and pulling (especially when the hair is wet), heat, UV exposure, and chemical processes. Friction causes the cuticles to lift, making the surface of each strand rougher. Strands then catch on each other, causing tangles. Lifted cuticles are like open doors for water to pass in and out. This is why damaged hair is stretchy and mushy when wet, and brittle when dry.

Heat drys out the hair and causes air pockets within the hair strands to expand. UV radiation breaks down melanin cells and melts the hair’s cortex, making it porous and brittle. Lightening agents, oxidative dyes, perms, and relaxer all use chemicals to break through the keratin layer to permanently alter the cortex to deposit dye, destroy melanin cells, or force the hair into a new shape. This creates weakness in both the internal and external structure of the hair.

While some weathering is normal and expected, there are many ways to reduce the amount of day-to-day damage. Here are a few ways to keep your hair happy and silky.

1. Squeeze and Wrap; Don’t Rub.

After showering or bathing, you might be tempted to grab a towel and rub it all over your head, or rub your hair between your towel like you are trying to start a fire with a stick. Don’t do it. Your hair is extra fragile when wet, and this amount of friction will add up in the long term. Repeated towel drying contributes to the weathering of the keratin scales that form the protective outer layers of the hair. Over time, this will lead to split ends [1].

Instead, gently press or squeeze your hair with the towel. Wrap your hair with the towel and allow it to gradually absorb the water out of your hair. Or gently shake the ends of your hair to flick away water droplets.

2. Don’t Brush Wet Hair Without the Right Tools.

This is similar to towel-drying the hair. Brushing, towel drying, and any form of friction on wet hair causes keratin cuticles to shed. Wet hair has reduced tensile strength, meaning it is more prone to stretching and snapping than dry hair. A study found that using a conditioning shampoo, in comparison to non-conditioning shampoos, reduced the amount of cuticle loss during wet hair combing [2]. This would make sense, as shampoos cleanse away the natural lipid layer of the hair, and lift the cuticle, increasing friction.

 If you must comb your hair while it is wet, make sure the hair is conditioned, and use a wide-toothed comb, or a brush specially made for use on wet hair. Using a brush or comb made to be used on wet hair can be incredibly helpful. The tines and bristles are designed to prevent pulling and tugging, thus causing less friction. Work from the ends of your hair to your roots. Do not pull on a tangle. This will cause your hair to snap. Work out the knot from the bottom up.

Hair and drum skins are both made of keratin. Kitty’s drum got wet and it wouldn’t play anymore. So kitty tightened it. But when the skin dried, it tore. Oops! Poor kitty. Shouldn’t have stretched a wet drum.

3. Keep Your Hair Up

Loosely braiding your hair or keeping it in a twist protects it from friction and tangles during the day. This is especially helpful if you have long hair and it’s a windy day. Just be sure not to wrap hair ties too tightly, or force pins into a tight bun.  This can cause stress on the hair. Pulling the hair too tightly into ponytails, braids, or twists can cause hair to pull out at the root. Over the course of time, this can lead to traction alopecia. 

(Writer’s note: Back when I had long hair, I was a big fan of the octopus clip. It securely holds the hair up in a bun without pinching, or being too tight.  Spellstone combs and barrettes are also wonderful, and styles are available for every hair type.)

 Spellstone hair ornaments are made with ethically harvested water buffalo horn or bone.

4. Avoid UV exposure

Hair is susceptible to UV damage. When hair becomes lighter in the summer, the melanin cells within the cortex are actually being destroyed by UV rays. There are two basic types of melanin n the hair. There are what provide the hair’s natural pigment. Pheomelanin is much more sensitive to UV radiation than eumelanin. Blonde, and red hair contains less eumelanin and more pheomelanin. When pheomelanin becomes degraded, UV exposure will eventually melt the hair’s core, causing the hair to become weak and brittle [3], [4].

The natural oils, or integral lipids, that exist within the hair fiber are also affected by UV radiation. Overexposure decreases these lipids, which exist to moisturize the hair and contribute to its flexibility. Over time, this leads to increased porosity, desiccation, and brittleness. 

Covering the hair, and/or using henna protects against sun damage. More on henna in # 8.

5. Protect Your Hair While You Sleep

If you toss and turn in your sleep, cotton and synthetic fabrics can cause your hair to tangle. If you prefer to shower at night, you’ll probably wake up and fight your bedhead with brushes and products, damaging it further in the process.  Wrapping your hair in a silk scarf or using a silk pillowcase can decrease bedhead and damage.

Silk is very breathable and decreases friction. If you sweat during your sleep, silk is cooler and allows moisture to evaporate more quickly, keeping your hair drier. Just make sure you’re looking for actual silk, not a polyester satin, which can cause static and tangling.

6. Know How Often to Wash Your Hair

Each person produces a different amount of sebum. These oils protect and moisturize the skin and hair. However, too much sebum will become waxy, drawing dirt and dead skin cells, and clogging pores. Some people have naturally oily skin, and need to wash their hair every day. Others do so less frequently. If you have dry skin, or produce little sebum at the scalp, washing your hair too frequently, or washing with harsh surfactants like sodium lauryl sulfate might strip out the lipids from your hair and lift the cuticles. Shampooing dries the hair shaft and increases static and friction. Conditioning is meant to artificially restore lost lipids and smooth the cuticle layer.

If you have long hair, be aware that sebum gradually spreads from the scalp to the ends; the ends are drier than the roots. Oftentimes, it is only necessary to shampoo the scalp. The product that runs down the length of your hair while rinsing is enough to cleanse it without without completely stripping the lipids. Use conditioner in the opposite way. Apply only to the ends of the hair to avoid heaviness and buildup at the roots. It is better wash hair with cool water. Hot water can raise the cuticles, causing roughness and dryness. Cool water keeps the cuticle closed.

Hair has both surface lipids and integral lipids. In other words, there are oils that coat the hair strand, and oils that exist within the hair strand. Both contribute to the moisture and protection of the hair. Integral lipids can vary with a person’s ethnicity. While Asians have higher integral lipid levels, people of Caucasian and African descent have lower amounts of integral lipids. Over-shampooing can strip out integral lipids and lead to desiccation and breakage. UV exposure and chemical processes can also destroy integral lipids.

The consensus is in. The vast majority of dermatologists and hair experts agree that dry shampoo causes your hair more harm than good. The ingredients in dry shampoo absorb oil, giving the hair volume and making it look less greasy, but all of this just stays in the hair. The buildup of sebum and dry shampoo can eventually clog pores, causing infections. It can also lead to hair loss, as infected follicles cause the hair to shed. Dermatologists recommend using dry shampoo no more than twice a week.

7. Put Down the Dry Shampoo and Back Away

Microorganisms love munching away at sebum buildup, dead skin cells, and dirt. Dry shampoo creates a great environment for them.

8. Moisturizing Products May Be Making Things Worse

Hair products use a variety of emollients and humectants to make the hair seem smoother and more moisturized. Not all of them work in the same way. Glycerin, or glycol, products draw moisture from the surrounding environment. This is find when there is humidity in the air. In dry environments, the product will actually draw moisture out of the hair.

Some ingredients form a barrier, preventing water from entering or exiting. Because damaged hair is particularly weak when wet, it needs to be able to get rid of the excess water in the cortex. Products that coat the hair in this way keeps the hair in a weaker state.

Silicone ingredients, like dimethicone, mask hair damage by filling and smoothing the surface of the hair with a slippery coating. Decreasing friction prevents future damage, but -cones inhibit the passage of moisture in and out of the hair. If it builds up, it acts similarly to sebum, drawing dirt and dead skin cells.

Dimethicone and similar ingredients coat the hair with a low-friction layer, but do not mend damage.

Overuse of conditioners or oils can lead to a vicious cycle of worsening hair condition. The product coats the hair and prevents moisture from entering, causing the hair to dry. People then try to  correct or compensate for the dryness by using more and more conditioning treatments.

Hair needs to be able to retain the proper amount of water and lipids. Too much moisture leaves the hair weak and weighed down. Too little, and the hair becomes brittle. Henna, cassia, and zizyphus can help the hair maintain its moisture levels more effectively. Continue reading to learn how.

9. Limit Chemical Processes

Lightening agents, oxidative dyes, perms, and relaxers all involve chemically altering the structure of the hair. These processes destroy both the outer cuticles and the inner cortex of the hair strand in order to change the hair’s color or shape. This increases the hair’s porosity and decreases its strength and elasticity, leaving it vulnerable to breakage. A study by Robinson found that, while virgin hair exhibited progressive weathering root to tip, only hair that had been chemically processed showed patterns of fiber splitting at the mid-sections of the hair strand [1]. Cuticles were eroded until the cortical fibers were exposed, which then began to fragment. This type of damage leads to hair breaking off at any point in the length, not only the ends.

Bleaching the hair destroys the structural disulfide bonds in the keratin cuticle, and oxidizes the melanin within the cortex of the hair. Oxidative hair dyes also work by breaking these bonds so that dye molecules can enter the cortex, where they oxidize into larger molecules that cannot escape back out from the keratin layers. Hydrogen peroxide or hydrogen persulfate are used to break the keratin bonds to allow the bleach or dye to enter the cortex [4].

Perms and relaxers denature the disulfide bonds in order to alter the hair’s shape, using extremely alkaline chemicals such as ammonium thioglycollate, sodium hydroxide, and guanidine hydroxide [3], [4]. These processes all break down the hair’s hydrophobic barrier and increase softening and swelling of the hair fiber. The hair is then especially vulnerable to breakage from brushing and other sources of friction.

All of the tips discussed above can prevent further damage, but nothing can reverse hair damage. It is best to avoid chemical processes altogether; however, if you choose to do so, it is best to go to a certified stylist rather than attempting it at home. Stylists know how the correct products and techniques to use to avoid unnecessary damage. Products used in salons are often safer and gentler for the hair because they are regulated more strictly than products sold for at-home use.

10. Limit Heat Styling

Curlers and flat irons apply high heat directly to the hair in order to temporarily alter its shape. Because hair is naturally porous to some degree, there are tiny pockets within every hair strand. Damaged hair is more porous. Heat can cause the moisture within the pockets to expand, forming bubbles in the hair strand [4]. Long and frequent use of hair dryers can cause the “bubble hair” effect, as well.

Heat creates a low humidity environment which causes moisture to evaporate rapidly. This leads to desiccation, static, and structural damage [5], [6]. Interestingly enough, hair shows increased structural damage from heat if the it was initially wet, rather than dry; however, heat applied to dry hair causes signs of chemical damage as well as structural damage. One study suggests that using ethanol, or solvent-based protecting sprays prior to heat treatments is more effective than water-based sprays [5].  Better yet, skip the heat altogether.

Replace curling irons with no-heat curling methods. Allow hair to air dry most of the way, and finish it off with a hair dryer on a low setting. People with particularly damaged or porous hair have a dilemma. While drying the hair with a blow-dryer can be damaging, leaving the hair wet for long periods of time may also lead to damage [6]. It will be up to the individual to monitor their hair’s health and moderate their techniques. Gentle towel drying and a hair dryer on the cool setting may be the best option.

Heat caused bubbles to form in the hair shaft.
Source: Monselise, Assaf, David E. Cohen, Rita Wanser, and Jerry Shapiro. “What ages hair?.” International journal of women’s dermatology 3, no. 1 Suppl (2017): S52.

11. Condition with Ancient Sunrise® Henna or Cassia

The dye molecules in henna and cassia bind to keratin on the surface layers of the hair without coating it. This adds to the structural integrity of the hair strand. Porous, damaged hair becomes smoother and better at retaining proper moisture levels. Hair that stretches too much becomes more resilient. Henna and cassia provide long-lasting shine that doesn’t wash out, unlike conditioners.

Henna is permanent, and dyes hair red. When used with indigo, it dyes hair shades of brunette to black. Cassia provides a translucent golden dye on light hair, and no color change on darker hair. Cassia can be used without dye release to condition hair with minimal color change.

Henna also provides natural UV protection. It does this by reflecting and absorbing at the surface of the hair before it can penetrate to the cortex. This inhibits the degradation of melanin cells.

12. Cleanse and Condition with Ancient Sunrise® Zizyphus

Zizyphus spina christi makes for a wonderful 2-in-1 cleansing and conditioning treatment. Unlike henna and cassia, it has no dye. Zizyphus powder contains natural saponins and plant waxes. It gently cleans the hair without stripping it, and a thin layer of plant wax restores the hair’s hydrophobic barrier while providing shine. It is especially great for thin, weak, and damaged hair because it provides thickness and strength, and protects hair from excess water absorption. Zizyphus is great to use before traveling, as it protects the hair from wind and salt water. To learn more about how to use zizyphus, read this article and visit this page on Henna for Hair.

References

[1] Robinson, V. N. E. “A study of damaged hair.” J Soc Cosmet Chem 27 (1976): 155-161.

[2] Sandhu, Sukhvinder S., and Ram Ramachandran. “A simple and sensitive method using protein loss measurements to evaluate damage to human hair.” J. Soc. Cosmet. Chem 46 (1995): 39-52.

[3] Sinclair, Rodney D. “Healthy hair: what is it?.” In Journal of investigative dermatology symposium proceedings, vol. 12, no. 2, pp. 2-5. Elsevier, 2007.

[4] Monselise, Assaf, David E. Cohen, Rita Wanser, and Jerry Shapiro. “What ages hair?.” International journal of women’s dermatology 3, no. 1 Suppl (2017): S52.

[5] Christian, Paul, Nigel Winsey, Marie Whatmough, and Paul A. Cornwell. “The effects of water on heat-styling damage.” Journal of cosmetic science 62, no. 1 (2011): 15.

[6] Lee, Yoonhee, Youn-Duk Kim, Hye-Jin Hyun, Long-quan Pi, Xinghai Jin, and Won-Soo Lee. “Hair shaft damage from heat and drying time of hair dryer.” Annals of dermatology 23, no. 4 (2011): 455-462.

Author: Rebecca Chou November 2017
Edited: Maria Moore September 2022

How to Measure Ancient Sunrise® Plant Dye and Fruit Acid Powders

When using a mix of plant dye powders and fruit acids, it can become tricky to determine how much to use, and how to measure it all out. Using Ancient Sunrise® Henna for Hair is already more cost-effective than conventional boxed dyes or visits to the salon, but it’s always nice to cut down on waste. While henna and cassia pastes can be frozen for later use, mixes containing indigo cannot. Therefore, it is useful to mix just enough paste, and keep the rest of the powders sealed and dry.

This article will help you determine how much plant powder you’ll need to mix, how to measure powders with teaspoons and tablespoons, and how to determine the right amount of fruit acid powder to dye-release your henna and/or cassia.

If you are new to using henna for hair, be sure to read the Henna 101 series on this blog.

How much plant dye powder do I need for my hair?

Before mixing, you first need to determine how much total plant dye powder you’ll need in order to create enough paste to dye your hair. This depends on the length and thickness of your hair. Knowing how much powder to use in your mix will become easier after you have used henna for a while.

If you are just starting, if have recently cut your hair, or if you are returning to henna after a long period of hair growth, it is always better to mix more rather than less. Below is a chart that can help you estimate how much you might need. Because each head of hair is unique, this is not exact, and meant to be used as a general guideline. If you end up with henna/cassia paste left over, stick it in the freezer for future touch-ups. Indigo dye will not work once it has been frozen. If there is indigo in your mix, make note of how much was left over, dump the paste, and adjust your measurements next time.

 Thin, straight hairAverage hairThick or curly hair
1-2” roots30-50g50-75g100g or more
Chin length75-100g100-150g200g or more
Shoulder length100-150g200-250g300g or more
2-3” below shoulder200-250g250-300g400g or more
Mid back250-300g350-400g500g or more
Waist length400-500g500-600g600g or more

Keep in mind that the thickness of the paste will affect how much hair will be covered. You will want to mix your paste to the consistency of whipped sour cream, so that it drops off in a dollop if you hold a spoonful upside-down. If you mix a thicker paste, you will need more powder.

The above chart is also based on a thorough, thick application of paste. Some people choose to apply more sparingly. Keep in mind that doing so will require less paste, but may affect color and coverage.

A whole lot of hair needs a whole lot of paste. This is about 500g of henna for waist-length hair.

How do I measure plant dye powders without a scale?

Henna, cassia, and/or indigo mixes are based on ratios of their gram measurements. All of the plant powders come in 100g packets. If you do not need the entire packet, you can measure out your necessary amount, and seal up the rest of the powder for later use. If you have a kitchen scale, measuring the amount you need is pretty easy. Just determine how much powder in grams you’ll need for your particular mix, and divide. If you do not have a scale, you can convert grams into teaspoons, tablespoons, and cups.

This conversion is different for each powder, because the weight and density of the powders vary. Just as a cup of feathers and a cup of marbles would have different weights, so do henna, cassia, and indigo. Below is a chart with the most common gram amounts and their volume conversions. This is based on US measurements.

Key
tsp = teaspoon
T = tablespoon 
3 teaspoons = 1 tablespoon
2 tablespoons = 1/8 cup
16 tablespoons = 1 cup

 10g12.5g25g50g100g
Henna1.5 T; or 1T +1 ½ tspJust under 2TJust under ¼ cup7T;3/4cup + 2T; or one full packet
Cassia1T + 2tspJust over 2TJust under 4T + 1tsp½ cup + 1tsp1 cup + 2tsp; or one full packet
Indigo2T2.5T; or 2T + 1.5tsp5T10T; or ½ cup + 2T1 ¼ cup, or one full packet

How much fruit acid do I need?

Ancient Sunrise® offers a variety of fruit acid powders to use in place of a fruit juice or mildly acidic liquid. Just mix the fruit acid powder into your henna/cassia, add distilled water, and let the paste dye-release.

If you use Ancient Sunrise® fruit acid powder, just add distilled water! No fruit juice necessary.

            The amount of fruit acid powder you need depends on the amount of henna/cassia you are using, and the type of fruit acid powders. Ancient Sunrise® offers single-use packets of all of the plant powders, which are each pre-measured to contain enough fruit acid powder for 100g henna or cassia. If you need less than that, or if you have ordered a bulk container of a fruit acid, you’ll need to know how to measure the right amount.

Ancient Sunrise® Kristalovino, Ancient Sunrise® Malluma Kristalovino, and Citric Acid are all very easy. You will need 1tsp per 100g henna/cassia. If you are using indigo, remember that the amount of acid powder you needs is based only on how much henna and/or cassia you are using, not your total amount of plant powder.

Enough for 12.5g henna/cassiaEnough for 25g henna/cassiaEnough for 50g henna/cassiaEnough for 100g henna/cassia
A good pinch; or 1/8 tsp¼ tsp½ tsp1 tsp

Ancient Sunrise® Copperberry, Ancient Sunrise® Nightfall Rose, and Ancient Sunrise® Amla powder all require 25g per every 100g henna/cassia. Like plant dye powders, they vary by weight. The chart below shows weight-to-volume conversions

3.125g 6.25g 12.5g 25g
Enough for 12.5g henna/cassiaEnough for 25g henna/cassiaEnough for 50g henna/cassiaEnough for 100g henna/cassia
Ancient Sunrise® CopperberryJust under 1 tsp½ T, or 1 ½ tsp1T2T + ¼ tsp
Ancient Sunrise® Nightfall RoseJust over 1 tspJust under 1T1.5T3T
Ancient Sunrise® Amla1tspJust over 2 tsp1 ½ T; or 1T + 1 ½ tsp2T + 2tsp

Final Notes

If you’re concerned about getting your plant dye measurements perfectly right, don’t worry. A few grams either way will not affect your color very much, especially with larger mixes. If you are only mixing enough for a root touch-up on thin hair, you may have to be just a tad more precise.

            Fruit acid powders also have some wiggle-room, but it’s generally better to have a little too much rather than not enough. Ancient Sunrise® Kristalovino and Ancient Sunrise® Malluma Kristalovino are particularly gentle, and therefore quite forgiving if over-measured.

            If all of this made things more confusing instead of clearing things up, not to worry. Ancient Sunrise® offers pre-measured kits for the most common hair colors. Most kits contain enough to cover shoulder-length hair of average thickness.  You can also contact customer service directly and ask them to help you determine the measurements for your mix and hair length. If you are placing an order, ask nicely, and they’ll write your recipe on the packing slip.

            Contact Customer Service via phone, chat, or email if you have any additional questions.

PPD Sensitization in Men: Unique Risks and Gendered Behavior

Introduction

Para-phenyelenediamine (PPD) is one of the most common allergens in cosmetics. While genetics can increase chances of allergy, anyone can develop a PPD allergy. High concentrations and repeated exposure increase the likelihood of becoming sensitized. Basic information about PPD is covered in an earlier article, What You Need to Know About Para-Phenylenediamine.

 Occupations that involve repeated exposure to PPD, such as hair stylists, and fur and textile workers, show higher rates of employees with PPD sensitization [13]. Outside of occupation-related sensitization, the average person is sensitized to PPD through a black henna tattoo, or through the use of hair dye. Prevalence rates of PPD sensitization are about 6.2% in North America, 4% in Europe, and 4.3% in Asia [1]. Overall, sensitization rates appear to be increasing over time [2]. Rates are higher in populations with darker hair, as dark hair dyes contain higher PPD concentrations.  Rates of sensitization are also higher in countries where “black henna” is commonly used in place of traditional henna.

PPD sensitization rates also vary between genders. Both body art and the use of hair dye are gendered behaviors; more women participate than men. This leads some to presume that PPD sensitization is more of a concern for women. While it is true that, overall, a higher percentage of women have PPD sensitization than men, it is important to discuss issues specific to men’s self-grooming and help-seeking behaviors that put the male population at unique risks. Certain populations of men experience higher rates of facial dermatitis due to frequent beard dyeing. Men who work in industries involving frequent contact with products that contain PPD or cross-reacting allergens may be forced out of their jobs to avoid continual allergic reaction. Men show reluctance to seek medical attention; this puts them at risk for future complications which could be avoided. Understanding gendered behavior may lead to better education, prevention, and treatment of PPD sensitization in men.

This man will have permanent scarring from his “black henna” body art, and is now sensitized to PPD.
Source: https://shewhoseeks.blogspot.ca/2012_02_01_archive.html

Avenues of PPD Sensitization

Traditionally, self-grooming and concerns for beauty have been characterized as feminine behaviors. Men spend less time and money in the use and consumption of beauty products and services.  Gender-specific grooming practices will be explored further in the next section. About 30-40% of women and up to 10% of men in North America are regular hair dye users [2],[3]. Another study estimated that 70% of women and 20% of men have used hair dye at least once in their lifetime [4].

On the other hand, getting a “black henna” tattoo is much less gendered in western cultures, leading to a fairly even split in the numbers of males and females getting a temporary “black henna” tattoo. Traditional henna body art is highly gendered; it is used for decorating and beautifying women, especially for celebrations and social events. In contrast, “black henna,” when it is used in spaces of tourism, is used to mimic the look of true tattoos. It is not limited to a specific custom or style. “black henna” is readily available on boardwalks and beaches, and in shopping malls, resorts, amusement parks, festivals, and fairs. Those who get “black henna” body art are usually children or young adults. [5], [6]. Children are attracted to body art that mimics tattoos because they like to imitate adult behavior. Parents who believe that “black henna” is harmless allow their children to have body art done, unaware of the risk of sensitization. Thus, both young boys and girls get “black henna” body art.

A young boy is scarred and sensitized by a “black henna” tattoo.
Source: Daily Mail

Of those who get a “black henna” tattoo, an estimated 50% will become sensitized [6], [7]. Some will experience a delayed contact dermatitis reaction following; some will not. A person can develop a sensitization even if they did not react to their first exposure. It is rare for consumers of “black henna” to understand the connection between the product used to create “black henna” body art, and hair dye. Children become sensitized to PPD through “black henna,” then later on may choose to dye their hair. The chances of a person previously sensitized by black henna having a severe (+++) reaction to PPD hair dye is about 40% [8]. A study found that 16% of adolescents in Manchester, England had a PPD allergy. Most of this was likely caused by the “black henna” they had gotten on holiday [8]. We will see a wave of hair dye reaction cases around 2030, when this population begins showing gray hair.

Source: Presentation to USFDA June 30, 2016: ‘‘Black Henna’ and the Epidemic of para-Phenylenediamine Sensitization: Awareness, Education and Policy, Catherine Cartwright-Jones PhD

While girls and women favor delicate designs, boys and men are more likely to choose tribal-style patterns that cover large areas of the skin with a solid application of “black henna.” This larger surface area increases the amount of PPD to which the person is exposed, thus increasing the risk of sensitization. If the client experiences a delayed hypersensitivity reaction to the body art, a larger area of their body is subject to dermatitis symptoms such as blistering, permanent scarring, and hypopigmentation. This is only just one way gendered behavior creates unique variables in PPD sensitization.

If a parent sees that their child is suffering from a reaction to their “black henna” tattoo, they will probably take the child to a medical professional. Adults, especially men, may be less likely to seek medical attention for their own allergic reaction, especially if it is not severe. Neglecting to seek medical attention causes a person to remain uneducated about the nature of their allergy, putting them at risk for repeated exposures and reactions. Men’s help-seeking behaviors will be discussed later in this article.

Grooming Practices as Gendered Behavior

Conventional ideals for appearance differ greatly between those for men and those for women. Entire books are dedicated to the sociology behind gendered beauty norms; therefore, it is impossible to cover this subject in its entirety within this article. One salient feature is that feminine and masculine norms are often presented as binary, and in opposition with one another [9]. If one behavior is used in traditionally feminine self-grooming, it is avoided in traditionally masculine self-grooming [9], [10], [11]. This is particularly evident in the way we treat hair.  In western societies, most men keep their hair short, while most women have longer hair. Of course, there are many exceptions, and there are people and groups who intentionally choose to defy norms through their appearance. As societal constructs of masculine and feminine ideals shift, so do people’s choices in personal style. However, there is still an overall trend in gendered grooming behaviors. Cosmetics companies actively seek to maintain these norms in the sorts of images they use in marketing their products.

Use self-grooming products while still being manly… Because sports…Or something. Source: Media in Canada

Overall, women dye their hair more than men. Women’s fashion trends change more rapidly than men’s, and women change their personal style more frequently than men do [10], [11]. They do so by altering the length, color, and texture of their hair. Cutting, dyeing, curling, straightening, braiding, and using tools, products, and accessories all help in keeping a style “fresh” or “up-to-date.” Conventional feminine beauty values youth, and fears the appearance of age [9]. Women are much more likely to dye their hair to mask grays, while gray hair is less of a concern for most men. These behaviors play into the higher rate of PPD sensitization in women.

Men’s styles focus on conformity, consistency, and professionalism. Men do not change their hair as frequently.  Feminine beauty is associated with youth; gray hair is undesirable.  On the other hand, men are less concerned with going gray. Gray hair may even increase a man’s attractiveness. It is “distinguished.” The term “silver fox” is used predominately to describe mature, attractive men. Younger men in white-collar professions have even been told that adding some gray into their hair may help their appearance and rapport with clientele [9]. The brand Touch of Gray promises to dye men’s hair while leaving just enough gray to maintain that distinguished, mature image. While traditional concepts of masculinity once idealized the perfect man as rough and rugged, the increase of educated and white-collar careers caused a gradual shift to the image of a clean-cut, well-groomed, professional man, whose power comes from his professional success and wealth, and his ability to attract women [9], [10], [11].

The products on the left all contain PPD. They are marketed toward men, or claim to be “natural.”
The image on the right shows the warning and patch test advisory on Just For Men dye.

Many men do dye their scalp hair and facial hair to mask their grays. The popular brand, Just for Men, directly targets men with its very name. Grooming products marketed toward men attempt to both reinforce the masculine ideal, and present self-grooming as a valid, masculine behavior. Marketing focuses on how the product will augment a man’s ability to attract women, or his image of professional success. By re-framing the use of hair and beauty products as a masculine behavior, companies can increase their number of male consumers.

Men’s use of hair dye is increasing, and the age of the average hair dye user is decreasing. More and more young people are using hair dye as a means of beauty and self expression, rather than for masking gray [22]. This shift in the demographic will lead to higher rates of sensitization and at younger ages, for both men and women.

Dyeing Beards

Facial hair is rather unique to men. Biologically, higher levels of androgen hormones lead to thicker, longer facial hair. While women also have facial hair, it is traditionally minimized through plucking, shaving, or bleaching. Few women have the biological ability to grow thick beards.  Just as scalp hair can be cut, dyed, and styled to express a person’s identity, so can facial hair. Because it is mostly men who have noticeable facial hair, the use of dyes on facial hair and the repercussions are a uniquely male issue.

Facial skin is thin and sensitive. Facial hair, on the other hand, is coarser and more resistant to dye [12]. Those who dye their beards might choose stronger, more concentrated products, or leave the dye on for longer periods of time. This increases the chances of becoming sensitized to PPD. Additionally, a person who dyes their facial hair most likely also dyes their scalp hair, and possibly dyes both at the same time for the sake of convenience. Those who are already sensitized may experienced more severe reactions when the compound comes in contact with their face. The proximity to the nose and mouth leads to further risks. 

Because facial hair grows quickly, a person wishing to mask gray roots will have to dye frequently. Men who use beard dye do so as frequently as once every five days [12], [13]. Men who keep their scalp hair short will also show gray roots more quickly. Repeated exposures both increase the chances of becoming sensitized to PPD, and worsen symptoms for those who are already sensitized.

Furthermore, PPD sensitization can lead to cross-reactions with several structurally similar compounds, including those found in synthetic fragrances. If a man later chooses to shave their facial hair, the process of doing so can create cuts and micro-abrasions that leave the skin vulnerable to reactions from soaps, lotions, and aftershaves [14].

This man is in the hospital for a severe reaction to beard dye. Source: Consumer Affairs

Ethnicity, Culture, and Class in PPD Allergy Variability

A population’s variation in PPD allergy prevalence rates is dependent on several factors, such as behavior, the accessibility of PPD products, and the concentrations within those products. Demographics and geography play into these factors. In many European countries, laws have limited the maximum concentration of PPD allowed in hair dyes, and a related compound, para-toluenediamine (PTD) is often used instead [2]. (Side note: PTD is believed to be less sensitizing than PPD, but those who are already sensitized to PPD are likely to experience a cross-reaction with PTD. We’ll save that can of worms for another time.) In countries where PPD concentration in hair dye is restricted, or where PTD is more commonly used, sensitization rates to PPD are lower [4]. The same goes for countries with greater light-haired populations [1].

Conversely, in countries with less restriction on PPD concentration, and with larger dark-haired populations, we see higher sensitization rates. In many Asian countries, hair dyes with high PPD concentrations are easily available. Popular hair dye brands can contain up to 80% PPD.  “Henna stone,”  which is solid industrial PPD, is widely sold for use in hair dye and body art [6], [7]. The median prevalence rate in Asia is 4.3%, but ranges from 2-12% within regions and sub-groups [13].

 In Saudi Arabia, and among Arabic men regardless of their location, growing and coloring beards is common practice. The prevalence rate for facial dermatitis from dye is high among this population [12]. A Korean study found that about 64% of adults with gray hair had experience using hair dye, and of that group, about 24% experienced a reaction [15].

A study conducted by the Cleveland Clinic investigated sensitization rates in white and black racial groups, and found that rates were similar among both groups for all allergens except PPD. Black people overall showed much higher rates of PPD sensitization than white people (10.6% vs. 4.5% respectively), and black men had much higher sensitization rates than black women (21.2% vs. 4.2% respectively) [16]. This is likely influenced by a combination of hair dye use/exposure, occupation, and genetic differences.

Black hair care is nearly a multi-billion dollar industry. Black women spend more money on cosmetics than non-black women. However, this alone does not explain why black men have significantly higher sensitization rates than black women. One factor could be that black men who dye their beards must do so frequently, and with high PPD concentrations, similar to the phenomenon seen in Arabic men.  One class-action lawsuit against the Just For Men hair and beard dye brand claims that JFM unfairly targeted African American men in their marketing of a product that contained higher levels of PPD.

Various iterations of Just For Men “Jet Black” hair and beard dyes all feature black men on the packaging. Source: Amazon

Additionally, there may be a higher proportion of black men (in comparison to non-black men, and black women) in industries which handle PPD and related compounds, such as fur/leather/textile dyeing, and the manufacture and handling of black rubber products in rubber and automotive industries.

One can look at a statistic for PPD sensitization in, say, North America for example, and make an assumption that all of the population is at equal risk. This is far from the truth; sensitization rates vary greatly between sub-groups. More research needs to be done on specific populations to determine these sub-groups, and the factors which lead to higher rates of sensitization. Hair dye and “black henna” use, as well as occupation cause significant variation. More nuanced demographic data will create a clearer picture of the populations that might require additional attention.

Help-Seeking Behavior, Education, and Prevention

Sociological studies in men’s help-seeking behavior affirm that men are less likely than women to use medical services. Studies have focused on mental help and addiction, as well as common physical ailments such as headache and backache [17], [18]. There has yet been a study specifically regarding the help-seeking behaviors of men and women who experience a reaction to “black henna” tattoos, or PPD hair dye. However, one can infer from the general trend of help-seeking reluctance that there is a large population of men who are sensitized to PPD, who are entirely unaware of the allergy or how to manage it.

Overall, most people who become sensitized to PPD from a “black henna” tattoo are not aware that the sensitizing agent, PPD, is the same compound used in hair dye. Numerous case reports have described patients seeking medical care for reactions to hair dye, who reported having gotten a “black henna” tattoo in the past [1-8], [13], [19-22]. It is estimated that, of those who experience a severe reaction to hair dye, only 10-30% of cases will be seen by a doctor, and even fewer by a dermatologist. [19], [20]. In a survey of 521 Korean adults with graying hair, a whopping 74% of those who reported experiencing a reaction to hair dye said that they did not visit a medical professional. The primary reasons were that they did not feel the reaction was severe enough (44.6%), and that they saw the side effects as a normal part of dyeing their hair (39.3%) [15]. Another article estimated that only 15% of people with a hair dye allergy seek treatment, and only a fraction of these people are patch-tested for allergies [22].

Societal influences cause men in particular to choose to “tough out” medical problems rather than seeking help. If a man experiences a reaction to PPD and chooses not to seek medical help, he deprives himself of crucial information related to his sensitization. Most likely, he will think it was a one-time fluke. He might not learn that “black henna” and conventional hair dyes both contain PPD. He might not learn that PPD sensitization can lead to cross-reactions with other products such as black rubber, fabric dyes, photographic developer and lithography plates, photocopying and printing inks,  oils, greases and gasoline.

Without consulting a dermatologist or allergist, someone who is sensitized may never learn how to properly manage their new allergy, putting them at risk for repeated exposure and worsening symptoms. Furthermore, PPD sensitization can limit prospective occupations, or force workers to leave their jobs due to continuing and worsening reactions to the materials involved. This would affect people in cosmetology, fur and textile industries, rubber industries, automotive industries, work that involves printing and photo development, and numerous other fields [2].

Studies suggest that men’s help-seeking choices are influenced by the perceived potential for embarrassment, as well as the perceived normality of a problem. If an issue is ego-centric, meaning that it may affect a person’s self-image, men are less likely to seek help. The same goes for if a man perceives a problem as abnormal [17]. Advertisements for erectile dysfunction medications have focused on normalizing ED, as well as reinforcing the notion that the embarrassment of ED is worse than the embarrassment of consulting a doctor. This is an example of an attempt to normalize a medical issue and decrease the help-seeking behavior’s threat to a man’s self-esteem.

This ad for Viagra affirms traditional masculine ideology. Source: Outsource Marketing

While statistics show that few people seek medical treatment for reactions to hair dye, additional factors may cause men to do so even less. First, men are less likely to seek medical help than women. Second, because traditional masculine ideals enforce the belief that preoccupation with beauty, especially hair, is a feminine behavior, many men may be hesitant to seek help for reactions to hair dye. Doing so requires admitting to the use of hair dye, which can create a blow to a masculine self-image. While PPD is one of the most common allergens (named Allergen of the Year by the American Contact Dermatitis Society in 2006), people remain largely unaware of its risks. Women are more familiar with hair dye reactions than men. Men may perceive a reaction to hair dye to be both non-normal and a threat to self-image. Thus, it is essential that efforts be made to increase awareness about PPD sensitization, focusing on its severity, high likelihood, and prevalence.

Just for Men Class-Action Suit

The hair dye brand, Just For Men, is currently at the center of several class-action lawsuits. Users reported experiencing adverse reactions to the products on their scalp hair and/or facial hair. Some suits claim that the patch test advised in the packaging was not sufficient for determining how the product would affect the skin on the scalp and face. In fact, conducting a patch test may increase sensitization. As mentioned earlier, other suits claim that the company intentionally and unfairly targeted black men in their marketing of their Jet Black hair dye, which the legal group claims to contain 17 times more PPD than other dyes from the same company.

If you are a man who has experienced an allergic reaction to Just for Men, consider looking to find if there is a legal group with an open suit in your area.

This series of class action suits is a positive move forward in demanding stricter regulation and more responsibility on the part of hair dye companies. Such legal action has rarely occurred against companies marketing hair dye to women, and fewer acts have been successful. Overwhelmingly, users of hair dye see adverse effects as a “normal” part of the hair dyeing process, and even choose to continue using products that cause reactions because the thought of going gray is worse than enduring contact dermatitis symptoms [15].

Conclusion

Because women make up the majority of hair dye users, there is a paucity of research specific to men’s use of hair dye. It is likely that more men are sensitized to PPD than current numbers suggest. Data taken from medical databases and case reports only include those people who seek medical attention or make themselves available to researchers. Surveys depend on honest self-reporting of behaviors. Men’s help-seeking behaviors may have cause research numbers to be lower than the reality

Based on available data, men make up a smaller proportion of the PPD sensitized population, in comparison to women. There is an exception in the case of black men in the United States. While hair dye allergies are often framed in the context of the female consumer, it is critical that the male population not be forgotten. The use of dye on beards is unique to men and poses special risks. Studies on help-seeking behavior suggest that men are less likely to seek medical attention if they were to experience a reaction. The idea of self-grooming as a gendered behavior further prevents men from openly discussing their use of hair dye.

Young boys who get a “black henna” tattoo on vacation, while at an amusement park, or in other tourist settings, are at risk of experiencing a reaction later on in life if they choose to use oxidative dyes. “Black henna” tattoos contribute significantly to the number of people who have PPD sensitization. In the future, we will see an increase of both men and women who develop severe reactions to hair dye.  As societal ideals of beauty, self-grooming, and gender norms change, hair dye use may increase among men. Already there is a shift in the use of hair dye as tool for masking age, to an avenue of self-expression in younger populations [22].

In order to ensure that both men and women are properly educated about the risks and prevalence of PPD sensitization, continued efforts must be made in raising awareness. Consumers should be aware that PPD is highly sensitizing, and that reactions from hair dye are quite common. Steps must be taken to prevent PPD sensitization before the onset. This includes continuing to raise awareness about “black henna” body art, pushing for stricter regulation of products containing PPD, and presenting safe alternatives for altering hair color and masking grays.

To learn more about PPD sensitization, visit the following links.

The Henna Page: Black Henna Warnings

Catherine Cartwright-Jones’ PhD Dissertation, “The Geographies of the Black Henna Meme Organism and the Epidemic of Para-phenylenediamine Sensitization: A Qualitative History”

AncientSunrise.Blog: What You Need to Know About Para-Phenylenediamine

To learn how to use plant dyes as a safe and effective alternative for coloring hair and masking grays, read the Ancient Sunrise® Henna for Hair E-Book and visit www.HennaforHair.com, and  www.Mehandi.com.

References

[1]             Mukkanna, Krishna Sumanth, Natalie M. Stone, and John R. Ingram. “Para-phenylenediamine allergy: current perspectives on diagnosis and management.” Journal of asthma and allergy 10 (2017): 9.

[2]             Hamann, Dathan, Carsten R. Hamann, Jacob P. Thyssen, and Carola Lidén. “p‐Phenylenediamine and other allergens in hair dye products in the United States: a consumer exposure study.” Contact Dermatitis 70, no. 4 (2014): 213-218.

[3]             Redlick, Fara, and Joel DeKoven. “Allergic contact dermatitis to paraphenylendiamine in hair dye after sensitization from black henna tattoos: a report of 6 cases.” Canadian Medical Association Journal 176, no. 4 (2007): 445-446.

[4]             Schuttelaar, Marie-Louise Anna, and Tatiana Alexandra Vogel. “Contact Allergy to Hair Dyes.” Cosmetics 3, no. 3 (2016): 21.

[5]             Goldenberg, Alina, and Sharon E. Jacob. “Is the Use of PPD in Black Henna Tattoo Criminal or Remiss?.” International Journal of Integrative Pediatrics and Environmental Medicine 1 (2014): 22-26.

[6]             ‘Black Henna’ and the Epidemic of para-Phenylenediamine Sensitization: Mapping the Potential for Extreme Sensitization to Oxidative Hair Dye, Presentation at Society of Cosmetic Chemists’ 70th Annual Scientific Meeting, December 10, 2015, Catherine Cartwright-Jones PhD

[7]             Presentation to USFDA June 30, 2016: ‘‘Black Henna’ and the Epidemic of para-Phenylenediamine Sensitization: Awareness, Education and Policy, Catherine Cartwright-Jones PhD

[8]             Smith V, Clark S, and Wilkinson M. “Allergic contact dermatitis in children: trends in allergens, 10 years on. A retrospective study of 500 children tested between 2005 and 2014 in one U.K. centre.” British Association of Dermatologists’ Annual Conference. Leeds Teaching Hospitals NHS Trust, Leeds, U.K. (2015).

[9]             Synnott, Anthony. “Shame and glory: A sociology of hair.” The British journal of sociology 38, no. 3 (1987): 381-413.

[10]          Ricciardelli, Rosemary. “Masculinity, consumerism, and appearance: a look at men’s hair.” Canadian Review of Sociology/Revue canadienne de sociologie 48, no. 2 (2011): 181-201.

[11]          Barber, Kristen. “The well-coiffed man: Class, race, and heterosexual masculinity in the hair salon.” Gender & Society 22, no. 4 (2008): 455-476.

[12]          Hsu, Te-Shao, Mark DP Davis, Rokea el-Azhary, John F. Corbett, and Lawrence E. Gibson. “Beard dermatitis due to para-phenylenediamine use in Arabic men.” Journal of the American Academy of Dermatology 44, no. 5 (2001): 867-869.

[13]          Handa, Sanjeev, Rahul Mahajan, and Dipankar De. “Contact dermatitis to hair dye: an update.”  Indian Journal of Dermatology, Venereology, and Leprology 78, no. 5 (2012): 583.

[14]          Jensen, Peter, Torkil Menné, Jeanne D. Johansen, and Jacob P. Thyssen. “Facial allergic contact dermatitis caused by fragrance ingredients released by an electric shaver.” Contact dermatitis 67, no. 6 (2012): 380-381.

[15]          Kim, Jung Eun, Hee Dam Jung, and Hoon Kang. “A survey of the awareness, knowledge and behavior of hair dye use in a Korean population with gray hair.” Annals of dermatology 24, no. 3 (2012): 274-279.

[16]          Dickel, Heinrich, James S. Taylor, Phyllis Evey, and Hans F. Merk. “Comparison of patch test results with a standard series among white and black racial groups.” American Journal of Contact Dermatitis 12, no. 2 (2001): 77-82.

[17]          Addis, Michael E., and James R. Mahalik. “Men, masculinity, and the contexts of help seeking.” American psychologist 58, no. 1 (2003): 5.

[18]          Hunt, Kate, Joy Adamson, Catherine Hewitt, and Irwin Nazareth. “Do women consult more than men? A review of gender and consultation for back pain and headache.” Journal of health services research & policy 16, no. 2 (2011): 108-117.

[19]          Søsted, H., T. Agner, Klaus Ejner Andersen, and T. Menné. “55 cases of allergic reactions to hair dye: a descriptive, consumer complaint‐based study.” Contact dermatitis 47, no. 5 (2002): 299-303.

[20]          de Groot, Anton C. “Side‐effects of henna and semi‐permanent ‘black henna’tattoos: a full review.” Contact dermatitis 69, no. 1 (2013): 1-25.

[21]          Jacob, Sharon E., and Alina Goldenberg. “Allergic.”

[22]          McFadden, John P., Ian R. White, Peter J. Frosch, Heidi Sosted, Jenne D. Johansen, and Torkil Menne. “Allergy to hair dye.” BMJ: British Medical Journal 334, no. 7587 (2007): 220.

Ancient Sunrise® Amla Powder and Its Many Uses

Amla (emblica officinalis) is also known as Indian Gooseberry. It is both eaten and used in hair and skin care products in South Asia. To create amla powder, the fruit is dried, ground, and sifted. Ancient Sunrise® Amla powder can be used as an acid to dye-release henna and cassia mixes and to prevent loss of curl pattern, on its own as a hair treatment, and on the skin as a facial.

In a henna and/or cassia mix that involve indigo, amla lends ash tones to the resulting color. It helps to maintain a person’s natural curl pattern, which can loosen with repeated henna applications. Amla allows more indigo dye to enter the hair, for richer, darker brunettes.

Amla’s natural acids temporarily snap the hydrogen bonds in the hair, allowing the strands to be reshaped. Using amla as a treatment on its own can add body and wave to the hair. This same effect can be utilized for the skin. This powder helps to loosen dead skin cells on the surface and exfoliate them away, leaving clearer, brighter, and tighter skin.

Ancient Sunrise® amla powder is tested by our suppliers to ensure it is free of adulterants. We also run our powder under a microscope to check for any irregularities. It has a pH level of 3.5, making it an effective acid for dye release. It it gentle enough to use directly on skin for short periods of time.

Amla for Neutral/Ash Mixes and Better Brunettes

Amla contains gallic acid, ellagic acid, and ascorbic acid. Gallic acid pushes henna and cassia’s dye molecules toward ash tones, leading to cooler hair color results. This is useful for those who do not want red tones in their brunette mixes, or want a more neutral blonde result.

A mix with just henna and amla will result in a browner or cooler red, with less orange or copper tones. A mix with just cassia and amla will result in a more neutral, “wheat” blonde on light and graying hair, as opposed to a yellow blonde.

To use amla powder to neutralize red and yellow tones, mix 25g (just under three tablespoons) with every 100g henna and/or cassia. Mix the powders with distilled water and dye-release as normal. There is no need for additional acid powders or fruit juice.

If you are adding indigo to your mix, do so as you would normally, mixing Ancient Sunrise® indigo powder with distilled water and combining the pastes immediately before application.

With mixes containing indigo, the result will be a cooler, deeper brunette. This is especially useful for people who want minimal warm tones in their hair, and those who notice that the indigo fades from their hair over time, leaving a red tone. Amla allows more indigo to bind effectively with the hair.

When used in a henna/indigo mix, amla mutes warm tones and aids in indigo uptake.

Amla is not a dye, and will not affect the color of a person’s hair if used on its own. It merely aids in indigo uptake, as well as shifting the resulting color of henna and cassia dyes.

The Ancient Sunrise® Henna for Hair kits in Cool Brunette and Cool Dark Brunette contain pre-measured portions of henna, indigo, and amla for easy mixing and great results.

Amla for Curls and Waves

When henna’s dye molecule binds with the outer keratin layers of the hair, it smooths frizzy, damaged hair and reinforces thin, weak hair. The added molecules also make the hair heavier and thicker. For those with a natural curl pattern, this can mean looser curls. Some who find their curls unruly or unmanageable take advantage of this effect. However, many wish to keep their curls. Adding amla to a henna mix helps to maintain the natural curl pattern.

Keep your color bright and your curls bouncy.

This can be done one of two ways. If you are also looking to mute red tones or achieve a deeper brunette, use Ancient Sunrise® amla powder to dye release your mix as explained above. If you wish to keep a brighter tone, dye-release your mix with your choice of acid, then mix 25g of amla into a paste, and stir this into your henna or cassia just before application. This will protect your curls without neutralizing henna and/or cassia’s brighter tones.

To add bounce and body to your hair, use amla on its own as a hair treatment mixed with Clarity Cassia. The following section will cover this.

Amla as a Conditioning Treatment

Amla can be used with Clarity Cassia to add bounce and body to the hair, to clear the scalp of dead skin, and to balance oily scalps. Amla’s acids cause the bonds in the hair to temporarily loosen, making it possible to temporarily reshape them. The acids also help to exfoliate skin and break down excess oil, keeping the scalp healthy and the pores clear.

Mix a paste of amla powder, cassia powder and distilled water. 25g of amla is needed for every 100g of cassia. The amount total will be dependent on the thickness and length of your hair. Apply the paste throughout clean hair and wrap with plastic, leaving it in for for an hour. Rinse, massaging the scalp, towel dry, and set your damp hair in curls or a braid and allow it to air dry.

Those who have normally very dry scalp and hair, or those who are sensitive to higher levels of ascorbic acid may want to use this technique sparingly or for a shorter amount of time to avoid itching and dryness. One can also use a little bit of oil or serum on the scalp if it feels too dry after the amla treatment.

Ancient Sunrise® also offers a shampoo bar with amla.
All shampoo bars are made with natural ingredients.

Amla as a Facial

High in vitamin C (ascorbic acid), amla paste makes a great facial treatment. It exfoliates dead skin cells, encouraging cell turn-over, and clears away excess oil. It leaves the skin tighter and brighter. Those with acne may find that a regular amla facial helps to lessen and prevent breakouts, and fade hyperpigmentation that comes with scarring. Over time, the complexion becomes brighter and more even, and the skin’s texture is smoother.

            Mix 1-2 teaspoons of amla powder with enough warm water to create a paste. Massage the paste over clean skin, avoiding the eyes. Leave it on for 3-5 minutes. Rinse, pat dry, and moisturize. This can be used once or twice a week. Vitamin C can increase UV sensitivity for some; if this is the case for you, make sure to use an SPF.

If you have further questions about how to use Ancient Sunrise® amla powder, feel free to comment below or contact Customer Service via email, chat, or phone.

Plant Dye Powders and Seasonal Allergies

Fall is upon us. For many, this means sniffling, sneezing, headaches, and itchy eyes. Some people who are sensitive to hay fever and seasonal allergies may notice that they are affected when mixing their henna for hair, while it is on their head, or after it is rinsed out. This is far from serious, and easy to fix.  If this sounds like you, keep reading to learn what may be happening and how to avoid experiencing discomfort in the future. 

Henna

In cases of itching, sneezing, headache and other mild allergy symptoms, henna itself is rarely the primary culprit. Allergies to henna itself are extremely rare. Rather, during times when histamine levels in the body are already high (spring, fall, or whenever you normally get seasonal allergies), the body can confuse plant dye powders with pollen or other actual allergens. As a result, some may notice an itchy scalp, headache, or other discomfort while dyeing their hair with henna, indigo, and/or cassia. Most of the time, this is easily ameliorated with an over-the-counter oral antihistamine.

              For those who have a genetic G6PD deficiency, exposure to lawsone and a number of other things such as fava beans can set off oxidative haemolysis. This is particularly dangerous for male infants with homozygous G6PD deficiency. This is not an allergic reaction, but important to keep in mind.

Indigo

Sensitivity to indigo powder is more common than to henna, and can cause dizziness or headaches for people who are allergic to mold spore. The presence of spore in indigo powder varies from batch to batch; if there is spore, the amount is minuscule and harmless except to a person with severe mold allergies.  Indigo leaves must be partially fermented to release the precursor, indoxyl, which will dye hair.  This partially fermented and dried indigo leaves are called vashma, the indigo used to dye hair. This change through microbial action is not unlike the process that changes wheat paste into bread dough; microbial action is necessary to make the base material useful. If your body is severely allergic to mold spore, you may have an allergic reaction to the remaining spore in fermented hair dye indigo through cross-sensitization.

A magnified image of mold spores.

Source: http://science.nationalgeographic.com/science/enlarge/allergy-mold-image.html

              To avoid indigo headaches, try not to inhale any particulates when mixing the paste, then apply and wrap quickly. Some people find that the smell of indigo is the main cause for their headaches. Mixing a spoonful of instant vanilla pudding powder can neutralize the smell. For others, switching from one type of indigo to the other (from Ancient Sunrise® Zekhara indigo to Ancient Sunrise® Sudina indigo or vice versa) or decreasing the amount of indigo used can minimize symptoms.

If I’m allergic to hair dye, is Ancient Sunrise® henna for hair safe to use?

Yes. You can feel safe in knowing that any reactions from Ancient Sunrise® plant dye powders are in no way related to para-phenylenediamine (PPD) sensitivity. Those who have allergies to conventional hair dyes can safely use Ancient Sunrise® products. Unless you have a G6PD deficiency, as mentioned above, any reaction to henna or other plant dye powders will be mild and far from life-threatening.

If it’s not seasonal allergies, then what’s happening?

Besides seasonal allergies, there are other explanations for the discomfort some can experience while using henna for hair, and they all have easy solutions.

Headache: If you experience a feeling of tension and pressure while the paste is on your head, it may be due to the weight of the paste. This is especially common for those who have thick and long hair. This weight can put pressure or strain on the neck, causing headaches. Make sure to apply and wrap in a way that makes your head and neck feel comfortably balanced. If you are able to, spend most of the processing time sitting or lying down in a position where your head is supported. Some prefer to apply their mix at night, and leave it in as they sleep.

              Headaches can also come from the altered direction of the hair follicles. Our hair tends to grow in a certain direction. When we apply a henna paste, it pulls and holds it in a different direction than it is used to, causing some minor discomfort. Play around with the way you apply your paste. Some prefer to arrange their hennaed hair in several twisted sections. Others try to keep their hair in its natural direction, twisting the length into a bun at the base of their neck.

Apply and wrap in a way that is comfortable for you.

              It is also helpful to note that applying henna to the full length of the hair is not necessary if you have previously hennaed your hair. Unless you would like to deepen the color further, a root application will suffice. Henna will not fade from the hair. Root applications will cut down on the amount of paste used, and therefore the amount of weight on your head. It’s also more cost effective!

Itchy scalp: Some notice that their scalp feels dry and itchy after dyeing their hair with plant dye powders. Seasonal allergies can definitely cause this. Other reasons include the acidity of the paste, and residue left over after rinsing.

              Henna is not drying nor damaging. However, some people are sensitive to certain fruit acids. Undiluted lemon juice can be too harsh for sensitive scalps, as can full-strength apple cider vinegar. If you use either in your mix and notice that your scalp feels dry or itchy afterward, dilute with distilled water, or consider using another fruit acid. Some find that they do better avoiding any citrus juice. Apple juice is quite gentle, but still acidic enough for an effective dye release. Ancient Sunrise® Malluma Kristalovino and Ancient Sunrise® Kristalovino fruit acid powders are the gentlest of the fruit acid powders offered by Ancient Sunrise®. They are derived from grapes.

              An itchy scalp and hair that feels dry can come from not fully rinsing out the paste. Plant powder residue, as it dries, can make the scalp itch the same way some dirt or sand might. It increases friction between hair strands, causing it to tangle. Be sure that your hair is fully rinsed by submerging and swishing it in warm water, then pulling a handful of conditioner through it to allow any excess plant particulates to slip out. If you prefer not to use conditioner, a vinegar rinse can help give the hair more slip as well. Follow with a good shampoo. Don’t be afraid to rinse and wash the hair multiple times.

              Because an effective henna treatment requires a person to shampoo their hair both before and after, the scalp can be pretty stripped of its natural oils. It may help to rub some oil or serum into the scalp after rinsing and drying the hair. Please do not put oils into your henna mix!

If you have any additional concerns about Ancient Sunrise® henna for hair and plant dye powders, feel free to call, email, or chat with Customer Service. Please note that they cannot diagnose, prescribe, or offer medical advice.

Oscar Wilde’s Hair and Skin: Investigations into His PPD Sensitization and Use of Henna

Oscar Wilde, famous novelist, poet, and playwright, lived a short and scandalous life during the turn of the 20th century, from 1854 to 1900. He is believed to be one of the first famous people to have had an allergy to para-phenylenediamine (PPD) from hair dye. His personal accounts and those from his friends and biographers leave no doubt that Wilde was prematurely gray, and that he used hair dye to cover his increasingly white hair. A study of paintings and drawings done of Wilde suggest that he may have tried henna products, as well.

              Oscar Wilde is known for works such as “The Picture of Dorian Gray,” “A House of Pomegranates,” and “The Importance of Being Earnest.” Having died at the young age of 46, he was in his lifetime no doubt prolific. He once wrote a play entirely in French, which, according to scholars, showed barely any trace of having been written by a non-native speaker. [2]

              However, during his lifetime, Wilde’s accomplishment as a writer was overshadowed by his notorious propensity for eating, drinking, and “sexual inversion” [1]. He was put to trial multiple times under the crime of homosexuality, and eventually imprisoned for two years from 1895 to 1897.

              At the time of his death, the cause was believed to be neurosyphilis, exacerbated by his gluttony and alcoholism. His reputation made such a diagnosis more than plausible. However, more recent medical professionals believed that the cause of his death was more likely to be a chronic ear infection which eventually spread to the brain. [1]

              Besides the worsening illness that eventually took his life, Wilde also suffered from a recurring rash that itched intensely and spread over his face, arms, back, and chest. This rash could not have been due to syphilis; syphilitic rashes do not itch. Wilde himself attributed it to some bad mussels he once ate. However the rash would disappear and reappear periodically for the rest of his life. The description of the rash was not consistent with an allergy to mussels. Scholars and medical professionals believe that this rash was more likely caused by a sensitization to para-phenylenediamine from the dye he used to mask his prematurely graying hair. [3] [4]

A younger Wilde, at age 28. (Keep the “favourite coat” part in mind for later.)

“Oscar Wilde in his favourite coat.” New York, 1882. Picture taken by Napoleon Sarony. Source: https://commons.wikimedia.org/wiki/Oscar_Wilde

Oscar Wilde’s Gray Hair: A Story in Letters, Photos, and Portraits

Photography during Wilde’s lifetime provides little help in determining the exact color of Wilde’s hair during his youth, the time when it began to gray, nor the exact shade to which he dyed it. Wilde himself was not likely to discuss his use of hair-dye, as he was exceptionally vain and was a lover of youth and beauty. For most of his life, his friends were largely unaware that he was graying, and he probably preferred it that way.

              In order to pull together some information about Wilde’s hair, one can turn to written documents from Wilde’s close friends, and to the portraits painted of him.

              In a letter written by Wilde’s friend, Robert Ross, to friend and biographer Frank Harris, Ross writes of Wilde’s hair during the month preceding his death.

               Ross wrote, “I noticed for the first time that his hair was slightly tinged with grey. I had always remarked that his hair had never altered its colour while he was in Reading; it retained its soft brown tone. You must remember the jests he used to make about it, he always amused the warders by saying that his hair was perfectly white.”

              Frank Harris responded, “I noticed at Reading that his hair was getting grey in front and at the sides; but when we met later, the grey had disappeared.” [4]

              During the decline of his health, Wilde likely had trouble keeping up with dyeing his hair. This would have led to Ross’ remark. Reading Gaol (pronounced “Redding Jail”) was the prison in which he served most of his time. From the friends’ accounts, one could deduce that Wilde had some access to hair dye while in Reading, but maybe not as regularly, allowing Harris to witness Wilde’s gray from root growth or perhaps fading dye.

              Information about Oscar Wilde’s changing hair color can also be gleaned from comparisons between paintings of Wilde in his early years and those of him from just prior to the time of his death. In the portrait below, done of Wilde when he was 27 years old, he has deep brown hair. In the photos, his hair also appears to be rather dark, perhaps a medium to dark brown.

“Robert Goodloe Harper Pennington, “Portrait of Oscar Wilde.” 1881.

Source: https://www.theguardian.com/culture/2016/dec/13/oscar-wilde-portrait-to-have-first-uk-exhibition-robert-goodloe-harper-pennington

The photograph below, taken in 1882, would have shown Wilde at age 28. Again, it seems his hair is rather dark, and that Wilde was rather vain. It cannot be precisely determined when Wilde began to gray, and when he began to dye his hair, but there is a clear difference between the brunette tones seen in his early life and the bright, orange and blonde tones seen later.

“Oscar Wilde by Napoleon Sarony, with hat and cape, 1882” Source: https://www.cmgww.com/historic/wilde/photos/

While Ross described Wilde’s hair as “soft brown” during his time in Reading Gaol, the following paintings show his hair to be a blonde to light copper color. It must be taken into account that artists are afforded their creative freedom in choosing color; however, it is interesting to note that both the portrait of Oscar Wilde by Toulous Lautrec and the works by Ricard Opisso show him with light hair.

              The painting below is Lautrec’s portrait of Wilde, done in 1895 during the time of Wilde’s trial prior to his imprisonment. It is reported that Lautrec wanted Wilde to sit for the painting, but that this was done from memory.

Henri de Toulous-Lautrec, “Portrait of Oscar Wilde.” 1895

Source: https://www.wikiart.org/en/henri-de-toulouse-lautrec/portrait-of-oscar-wilde-1895

              Variations of this painting exist. It is possible that Lautrec himself painted or printed multiple versions, or that the color of the image was altered in other ways. Here is another version of the same portrait, and a section from the painting’s original sketch. Notice that even in the sketch, Wilde’s hair is not shaded in, but left light.

Sources: (left) http://flavorwire.com/414089/7-rediscovered-paintings-by-famous-artists/8

(right) https://commons.wikimedia.org/wiki/File:Wilde-1896-Toulouse-Lautrec.jpg

              Ricard Opisso, Catalan artist and cartoonist, also drew and painted Oscar Wilde around the same time, often showing him with Lautrec in the cafes and dance halls where they spent much of their time.

Ricard Opisso, “Oscar Wilde” 1880.

Source: https://www.invaluable.com/artist/opisso-sala-ricardo-hwcdvmmmp0

Oscar Wilde sits next to painter Toulouse Lautrec at a cafe. His hair in this painting is a deep yellow.

“Interior de cafè amb Toulouse Lautrec i Oscar Wilde” by Ricard Opisso. Not dated.

Source: Pinterest, saved from http://www.francescmestreart-shopping.com/en/?portfolio-item=ricard-opisso

Here, The viewer sees Wilde to the left of Lautrec. His hair is an orange tone.

Ricard Opisso, title and date unknown. Source: http://www.artneutre.net/2006/12/airs-de-paris-reus.html

              The two latter images above are not dated, but it can be assumed that Opisso created them around the same time as the first. They take place in Paris, where Wilde spent most of his time from 1880 to the end of his life, save for his stint in prison. Opisso himself was from Spain, and was only documented to have visited Paris, not to have spent any length of his time living there. Note that all of Oppiso’s images of Wilde show him with light copper or blond hair.

Did Oscar Wilde Use Henna, and If So, Why?

              While there is no doubt that Oscar Wilde was prematurely gray and that he used hair dye to mask the fact, only guesses can be made about the kinds of hair dyes he used. A brunette during his younger life, he no doubt wished to maintain a similar hair color when he first began to gray.

              Hair dyes available during the late 19th century had very little regulation. PPD was initially introduced as a fur dye in 1883, patented by a man from Paris, named P. Monnet et Cie. By the 1890s, it was adopted by hair stylists across the western world. The first commercially available PPD hair dye was produced in 1910, a decade after Wilde’s death. This means that if he had dyed his hair with a product containing PPD, it was either at a salon or with a dye labeled for use on fur. The latter is not a ridiculous thought, as products have always been used for purposes outside of their labels. Many early hair dyes were marketed for both hair and for fur. Wilde owned many articles of clothing made of fur. He would have purchased such products to maintain them, and could have used the rest on his own hair.

This is an advertisement for a hair and fur dye from 1885. A “sealskin sacque” was a popular style of jacket with a fur collar. Wilde has been photographed and painted in such a coat.

              Regulation of products containing PPD did not begin until 1938, in the United States. Oscar Wilde lived in the UK and France several decades before that. The products Wilde used most likely contained a high level of PPD, and possibly metallic salts and other additives. The location of his rash would make sense as a reaction to PPD; dye can easily get on the face, chest, back, and arms if a person is applying it at home.

              Henna for hair was available in western countries at this time as well. Proper techniques for mixing and applying henna were not yet known to those in western countries. The quality of the products would have been low, as well. Henna was advertised as an exotic product from far-off lands, which was greatly appealing to the people of that era. Women with red hair were seen as alluring. Most of the dancers and sex workers in Paris hennaed their hair to make themselves more beautiful and noticeable.

              Lautrec himself was fascinated with women with hennaed hair. He painted them frequently. These women appear in his paintings with red, tangerine, and yellow hair similar to the colors of Wilde’s hair in Lautrec’s and Oppiso’s depictions of him. Lautrec spent much of his time with prostitutes and dancers who hennaed their hair. As Wilde and Lautrec were close friends, Wilde would have known them as well.

 Notice that all of the women’s hair are shades of red. 

Henri de Toulouse-Lautrec, “In the Salon of Rue des Moulins.”1894.

Source: https://commons.wikimedia.org/wiki/File:Henri_de_Toulouse-Lautrec_012.jpg

              A woman named Jane Avril was a friend and muse to Lautrec, and a can-can dancer at the Moulin Rouge. There is no doubt that Jane Avril used henna. Lautrec painted her often for both portraits and posters. Her hair appears in shades from yellow to red, as well. Comparing Lautrec’s color choices for Avril’s hair, which was definitely hennaed, and Wilde’s, one can see that it is very likely that Wilde also used henna.

In this poster of Jane Avril, her hair is golden.

Henri de Toulouse-Lautrec, “Jane Avril.” 1899. Source:  https://commons.wikimedia.org/wiki/File:Lautrec_jane_avril_(poster)_1899.jpg

Lautrec paints himself sitting among his friends. At the center, Jane Avril’s bright orange hair grabs the viewer’s attention.

Henri de Toulouse-Lautrec, “At the  Moulin Rouge” 1892/95.

Source: https://commons.wikimedia.org/wiki/File:Henri_de_Toulouse-Lautrec_-_At_the_Moulin_Rouge_-_Google_Art_Project.jpg

              Henna for hair products were not much better than conventional dyes at the time. The products that were sold to the western world contained low quality henna and a myriad of additives. Techniques for henna mixing and application were also lacking. Henna mixed with boiling water produced a light, brassy result which faded. This could be a possible explanation for both Avril’s and Wilde’s variations in hair color.

              If Wilde had a PPD sensitization, there is no indication that he made the connection between his rashes and his hair dye. Very little research had been done on PPD sensitization and the dangers of hair dye at the time. The early research and warnings came about in the early 1900s, after Wilde’s death. Wilde would not have thought, “It must be the PPD in the hair dye. I should try something else.” Nor would a doctor have recommended him to do so. It is unlikely that he chose henna as a safer alternative. Henna at the time contained metallic salts and possibly PPD.

Examples of early henna for hair products. These would have been from the early half of the 1900s They often contained low quality, stale, chunky henna, other ingredients.

              At any rate, Wilde thought little of doctors and their attempts to convince him to eat and drink less, and to exercise more. Wilde’s love of food and drink came before his concern for his personal health. Wilde equally loved youth and beauty. Because accounts show that his rash continued on and off until his death, it is more likely that Wilde continued to dye his hair, perhaps switching between conventional dyes and henna-based ones.

              Additionally, there is no record of Wilde stating that he felt the rashes may have been from hair dye. Instead, he continued to think that the initial rash came from consuming bad mussels, and then popped up every so often after he indulged too much. “I’m alright, Frank,” He told his friend, “but the rash continually comes back, a ghostly visitant. It generally returns after a good dinner, a sort of aftermath of champagne.” [1]

              This sort of reaction is not consistent with an allergy to mussels or seafood, unless the “good dinner” that preceded the rash always contained mussels. He did not say “It generally returns every time I eat more mussels.”

              More likely is that Wilde experienced a delayed hypersensitivity reaction to PPD. Reactions to PPD do not always occur immediately after exposure. Medical professionals stress the importance of doing a delayed read of patch tests at 96 hours for this reason [3]. If Wilde expected to go out to enjoy a dinner or part with company, he might have dyed his hair the day before to ensure that his friends would not see any gray roots. By the day or two after the dinner, his rash would be present.

How Far Did the Allergy Go?

While his death is now believed to be the result of a chronic ear infection, some hypothesize that this could have been an extension of his allergy to PPD.  While in prison, Wilde one day felt ill and fainted, and his ear bled. He reported that his ear continued to bleed and discharge afterwards. The condition worsened, causing partial deafness.  He eventually had an operation performed by a doctor in his hotel room in Paris shortly before his death. Details are not known about the exact nature of this operation.

              PPD can cause severe blistering and weeping sores on the skin. It is not impossible to think that if Wilde had managed to get hair dye into his ear earlier on, that is could have caused a reaction that continued to worsen, growing into an infection and collection of pus in the inner ear. The inside of the ear is a difficult place to clean, and as it is warm and damp, is an ideal place for infection to grow. Having blisters and weeping sores would have made the skin inside the ear particularly vulnerable to bacteria.

Final Notes

Because of the lack of medical records, Wilde’s unlikeliness to discuss personal health and grooming, and the inadequacy of medical knowledge during this time, it is impossible to determine for sure the cause of Wilde’s skin condition. However, there is enough evidence to believe that it was contact dermatitis caused by sensitivity to para-phenylenediamine in hair dye.

              While it would have been wonderful to say, “Oscar Wilde knew the dangers of conventional hair dye and chose henna as a safe alternative,” there is simply no evidence behind this statement, and it would not fit into the facts of PPD knowledge and available henna products of the time. If he did use henna, it was simply because it was there. Henna for hair products at the end of the 19th century were not much safer, nor was the knowledge of proper mixing and application available in the west.

              All that can be done is to piece together information from photography, art, letters, and accounts written by Wilde’s close associates. Having done this, the conclusion to be drawn is the following: Oscar Wilde definitely had premature gray hair; he definitely dyed his hair; he very likely had a PPD allergy; and he probably used henna, although not to replace PPD-based dyes.

              Wilde, now loved for his writing and known for his flamboyant and rule-breaking ways, can be considered one of the first celebrities to become sensitized to para-phenylenediamine, and can tentatively hold a place in the hall of “hennaed divas.”

References

[1] Cawthorne, Terence. “The last illness of Oscar Wilde.” (1959): 123-127.

[2] Critchley, Macdonald. “OSCAR WILDE A MEDICAL APPRECIATION.” Medical history 1, no. 3 (1957): 199.

[3] Jacob, Sharon E., and Alina Goldenberg. “Allergic.”

[4] Nater, J. P. “Oscar Wilde’s skin disease: allergic contact dermatitis?.” Contact dermatitis 27, no. 1 (1992): 47-49.

Henna on Fingertips, Feet and Nails: Cosmetic and Practical Applications (Part One)

If you are familiar with using Ancient Sunrise® Henna for Hair, you will already know about the wonderful benefits of using henna. Hennaed hair is stronger, smoother, shinier, and has lasting color. Because of its many beneficial properties, henna (lawsonia inermis) has been used not only on the hair but on many parts of the body for various purposes since possibly as early as 1700 BCE.

            Lawsonia inermis grows naturally in hot, semi-arid climates. Regions include Northern Africa, the Arabian Peninsula, and the Indian Subcontinent. Wherever it grew, the people of those regions found a use for it. It was likely discovered when livestock grazed on henna plants and herders noticed the red coloring around the animals’ mouths. If the herders inspected the animals’ mouths for wounds, thinking the dye was blood, they would have noticed that their hands had become stained as well.

            Henna has been used for both cosmetic purposes as well as practical applications. Its ability to stain keratin and condition the hair led to its use in grooming and beautifying practices for both women and men. Its additional health benefits made it useful for combating a number of skin conditions, as well as being visually appealing.

Cosmetic Applications

Henna is now more commonly known for its use in body art, such as the elaborate designs that cover the hands and feet of brides. Henna stands are popular at fairs, festivals, and in areas of tourism. Traditionally, henna is used to decorate the skin with patterns for religious and cultural celebrations, and simply for adornment. Apart from its use to create delicate, intricate designs, henna was also applied as a solid, even color on areas such as fingertips and feet for both beauty and practicality.

            Dancers and musicians hennaed their fingertips to bring more attention to the movement of their hands. A henna “slipper” on the feet was common in many cultures. Using henna for cosmetic applications was once as commonplace as using makeup or nail polish. In many cases, not applying henna would be something akin to not brushing one’s teeth; failing to do so would make a person seem dirty and neglectful of their personal hygiene.

Physical and Spiritual Cleanliness

Henna stains darkest on hands, feet, and hair.

Because henna was applied after washing, it indicated cleanliness, and therefore purity. This is especially the case with women. If a person’s hands, feet, and/or hair was freshly hennaed, one could assume that they had recently been to the public bath.

            It was assumed that illness was linked to the Evil Eye, and that henna repelled it. A freshly washed and hennaed body was both physically and spiritually clean. It was believed that the Evil Eye was particularly attracted to the bodily fluids of women. A woman was considered dirty and susceptible to the Evil Eye while during her period, after intercourse, and during childbirth; afterward, she washed and hennaed herself. Fresh henna stains showed that she was again clean and pure. In the case of a household with multiple wives, fresh henna marked the women with whom it was safe for the husband to interact.

A mother feeds her newborn. Her hands and feet are adorned with henna patterns. Her wet-nurse has brightly hennaed hands, feet, and hair.

“The Amah Feeds the Newborn” Detail from Life in The Country: The Nomad Encampment of Layla’s Tribe, Tabriz, 1539 – 43, Cambridge, Harvard University Art Museum 1958.75

Practical Applications

Remedies which included henna as an ingredient have been discovered in historical texts such as the Ebers Papyrus that date back to thousands of years ago.

            The Ebers Papyrus is a text from Ancient Egypt containing hundreds of detailed descriptions of remedies, pharmacopoeia, and formulas gathered and cataloged from numerous sources. It dates back to around 1550 BCE. Many of these remedies included henna as an ingredient. Of those, most common  were topical applications for hair and skin ailments.

            Modern day scientific studies have found that using henna as a remedy is more than an old wives’ tale.  Studies have shown the effectiveness of henna, and/or solutions derived from henna and its compounds, to be effective in anti-fungal, anti-microbial, anti-inflammatory, and even anti-cancer uses.  It has been found to expedite wound healing, and also to act as an analgesic against pain. Lawsone also provides natural UV protection to hair and skin. This protection lasts even after the stain has faded from the skin. This bodes well for future pharmaceutical innovations. Allergy to henna is extremely rare, and the spread of knowledge about practical applications for henna would keep henna agriculture sustainable.

            In addition to the above properties, the simple binding of the lawsone molecule strengthens keratin, reinforcing and conditioning the area to which it is applied.  This makes it extremely useful for protecting and conditioning hands, feet, and hair.

When henna paste is applied, the dye migrates into the surface layers of the stratum corneum. As it oxidizes, the stain darkens. The surface layers of skin are shed over time, and the lower layers grow to replace them.

Strengthening Skin and Lessening Pain

Henna’s dye molecule, lawsone, binds firmly to keratin, allowing it to stain skin, nails, and hair. When it does so, it adds reinforcement.

            When henna is applied to skin, the treated areas feel thicker, stronger, and less susceptible to pain. While it strengthened and protected skin, henna also helped to soften and shed excess rough skin and callus, keeping the skin smooth and attractive. Dancers hennaed their feet to make them more attractive and to keep their feet from blistering, cracking, and hurting after long hours of performing. Musicians did so as well, to protect their fingers as they played. Women who worked with their hands hennaed their fingertips for the same reason.

            It is likely that the pain receptors under the skin become somewhat dulled by the addition of lawsone. One study found that people with hennaed fingertips rated the pain of a needle prick lower in comparison to those without hennaed fingertips. This is helpful knowledge for those who prick their fingers to perform regular blood sugar testing.

Henna protects a musician’s fingertips.

A Lady Playing the Tanpura, Rajasthan, Kishangarh, ca. 1735, Metropolitan Museum of Art, New York, Fletcher Fund, 1996 (1996,100.1) Indian Court Painting, 16th – 19th C

Anti-Fungal and Anti-Microbial Properties

Besides its capacity to bind to and stain keratin, henna was and still is used for its anti-fungal and antimicrobial qualities. Historically, it has been used to treat ailments such as athlete’s foot, diaper rash, and wounds. (Note: Do not apply henna to young children unless you are absolutely certain that they do not have a hereditary G6PD deficiency).

            Ringworm, athlete’s foot, and related skin fungus conditions seem to be eradicated with one or two good applications of henna. Dandruff, often caused by fungus, is lessened after a person uses henna on the hair. Henna is safe to use on animals to treat fungal infections.

1. Athlete’s foot (tinea pedis) blistering began at the yellow dot and spread as far as the orange dots.

2. Henna is thickly applied to the affected area and left for two hours. Itching ceased almost immediately upon application.

3. As the stain darkened, the infected area peeled away.

4. After several days and an additional application, the infected area had shed and new healthy skin grew in its place.

Wound Healing Properties

Henna speeds wound healing and decreases inflammation. Wounds appear to heal more quickly when henna is applied; however, if an open wound is stained with henna, the stain may become permanent when new skin grows over top. A weaker henna paste mixed with oil could be used on open wounds for minimal staining.

             In Saudi Arabia, henna is a recommended remedy for diabetic foot ailments, as it lessened pain and inflammation from diabetic neuropathy, and helped lesions heal quickly while deterring infection.

 It is rare to see art depicting men with hennaed feet. This man may have had diabetic neuropathy, or just tired feet.

Detail: “Nighttime in a Palace” (1539 – 43, Iran), folio from a manuscript, attributed to Mir Sayyid ‘Ali (Persian, 16th century), Arthur M. Sackler

Henna on the Fingertips and Nails

Henna can protect weak nails against chipping, breaking, and flaking. While skin regularly sheds its outer layers, causing a henna stain to fade after a couple of weeks, henna fades very little on nails. It remains there until the stained part has grown and is clipped away. If the nails have a fungus infection, henna would eradicate it.

Henna on nails and henna on fingertips. A fully oxidized stain on skin is a deep maroon brown.

            Using henna to stain fingernails dates back to ancient times, and has been practiced in many regions and cultures. In Ancient Egypt, henna was commonly used to stain fingernails, and it was even considered impolite to have unhennaed nails. Mummies have been discovered with bright orange hair and nails, likely due to the used of henna in preparing the body for burial.

The sarcophagus of the chantress Asru has darkened nails.  Circa 750 BCE.

            In Islamic and Orthodox Jewish cultures, it is important to keep clean for prayer. Use of conventional nail polish is not allowed because the coating prevents water from touching the surface of the nail. Hennaed nails are acceptable because henna stains the nail without coating it.

            A lower concentration of lawsone is also found in the leaves and flowers of garden balsam, a species of impatiens. In Korea, young girls crush the plant into a paste and apply it to their fingertips for a light orange stain.

From the St. Pancras Pattern Book by Catherine Cartwright-Jones

Henna on Feet

Henna keeps feet clean, protected, and conditioned. It is used to rid one of athlete’s foot and similar fungal ailments that affect the feet. Henna aids in the softening and shedding of calloused skin, leaving feet smooth and soft.

            Variations of the henna slipper can be seen in artwork and photographs from various cultures across time. This was done across the whole sole of the foot and toes, or just from the ball of the foot to the toes. A solid slipper was common for most; additional elaborate designs decorated the feet of brides, new mothers, and the upper class.

An illustration of Persian women’s fashion shows hennaed feet. From a book printed in Paris, France, late 19th century.

From the Spain Pattern Book by Alex Morgan, and the St. Pancras Pattern Book By Catherine Cartwright-Jones

This article is the first part of a two-part series. This section discusses the history and science behind the use of henna on various areas of the body. Part Two demonstrates how these techniques are done.

References

Bakhotmah, Balkees A., and Hasan A. Alzahrani. “Self-reported use of complementary and alternative medicine (CAM) products in topical treatment of diabetic foot disorders by diabetic patients in Jeddah, Western Saudi Arabia.” BMC research notes 3.1 (2010): 254.

David, A. R., and V. Garner. “Asru, an ancient Egyptian temple chantress: modern spectrometric studies as part of the Manchester Egyptian Mummy Research Project.” Molecular and Structural Archaeology: Cosmetic and Therapeutic Chemicals (2003): 153-162.

Pradhan, Rohan, Prasad Dandawate, Alok Vyas, Subhash Padhye, Bernhard Biersack, Rainer Schobert, Aamir Ahmad, and Fazlul H Sarkar. “From body art to anticancer activities: perspectives on medicinal properties of henna.” Current drug targets 13, no. 14 (2012): 1777-1798.

Semwal, Ruchi Badoni, Deepak Kumar Semwal, Sandra Combrinck, Catherine Cartwright-Jones, and Alvaro Viljoen. “Lawsonia inermis L.(henna): ethnobotanical, phytochemical and pharmacological aspects.” Journal of Ethnopharmacology 155, no. 1 (2014): 80-103.

Full Coverage: How to Transition from Hennaed Hair Back to Natural Roots

While we’d love for you to stay with us forever, there are many reasons a person may choose to stop using henna, or to return to their natural hair color. You may simply miss your natural color, or expect to have less time or money for hair coloring in your future. Some women have decided to let their natural gray hair grow out. Silver locks are in fashion as of late. Because henna is permanent, it is common to see a noticeable line of demarcation as the hair grows, especially if your treated hair is different from your natural hair color. A frequently asked question regarding transitioning is how to do so without getting a stark contrast between colored hair and roots as your hair grows out.

            There are a few different ways to achieve a gradual shift. Because Ancient Sunrise® Henna for Hair products only add to the existing hair color, it is most likely that you will be going from a darker color to a lighter one. The exception to this rule is those who lighten their hair before applying henna. This article will cover techniques for both dark-to-light and light-to-dark transitions.

This hair has been lightened and then hennaed. The roots are black.

Transitioning to Lighter or Gray Roots

Henna as Lowlights

Rather than applying your mix to all of your roots, applying only in thin sections while leaving the remainder of your roots natural will create a highlight/lowlight effect with your natural color. You can ask a stylist to apply your mixture in foils, or you can do it yourself at home with a highlighting cap.

            A highlighting cap has holes through which to pull thin sections of hair while keeping the rest of the hair protected underneath. Pull through your desired sections, apply henna to those sections, and process as normal.  As your hair grows, gradually decrease your number of lowlights.

This person’s roots are mostly gray. Adding applying henna as lowlights would break up the root line.

Adding Cassia

Another option when transitioning is to adjust the mix itself so it becomes lighter. Cassia works to dilute and lighten the resulting shade of a henna or henna/indigo mixture.

            For example, if your regular mix is equal parts henna and indigo for a medium brunette result, you can create a mix of equal parts henna, indigo, and cassia for a lighter brunette. The next time, increase your amount of cassia again. Keep your original mix ratio the same, only increasing the amount of cassia you add to your mix.

            Below is an example of how a person might adjust with cassia over time. Keep in mind that everyone’s mix and hair color varies; this is only one example.  Don’t hesitate to contact customer service for help with a custom transition plan. Be sure to ask about measurements to avoid mixing too much, too little, or in the wrong ratios.

            Cassia should be dye-released with henna. Mix henna and cassia together and stir with an acidic liquid to create a paste, just as you would with henna. Cover your mixture and let it sit as normal. Mix and add your indigo paste just before applying.

            Feel free to experiment with test strands. When in doubt, always start lighter. If your root results are too light, you can always adjust afterward. For more helpful information about cassia mixes, be sure to read How to Dye Hair Blonde.

            In some cases, mixing with cassia leads to brighter or more golden-toned results. If you prefer a neutral shade my article on Cool and Neutral Mixes will help you keep your desired tone as you transition.

Lightening

As long as you have only used Ancient Sunrise® Henna for Hair products, it is safe to use a chemical hair lightener. Ancient Sunrise® plant dye powders have been tested for purity, and do not contain any metallic salts or additives that may be unsafe to lighten.

            You may choose to lighten the full length of the hair, or to have highlights put in as your roots grow, to blend away the line of demarcation. Be sure to conduct a strand test first to determine the resulting color and whether your hair can withstand lightening.

Gather hair from your brush to test with lightener. Having a professional lighten your hair is always recommended.

            If you have been using a mix containing indigo, it is particularly important to conduct a strand test first. Indigo does not always lift completely from the hair. Hair that has been dyed with mixes of 50% indigo or more may see a blue or green cast remaining after lightening. The degree to which this happens varies from head to head, and also depends on how many shades you plan to lighten. Sometimes this is subtle and can be toned away. If you have been doing a two-step process for jet black hair and wish to lighten to platinum blonde, more likely than not you’ll find it won’t be possible.

Hair that has been dyed jet black with a two-step process may turn blue or green when lightened.

            For more information about lightening over henna, read the Ancient Sunrise® Henna for Hair free e-book chapter on lightening.

Transitioning to Darker Roots

If you have chemically lightened your hair before applying henna, your root color may be darker than the length of your hair. The most straight-forward solution is to dye all of your hair with a mixture that will match your roots. This will result in a uniform color that blends seamlessly with your natural color.

            However, there may be reasons to perform a gradual transition. Perhaps you desire an ombré effect, or wish to be able to lighten your hair in the future.  For example, I currently have fiery red hennaed hair, and my natural hair color is virtually black. I like to play around with colors quite a bit, including fun, demi-permanent colors. If I were to use a two-step process to dye all of my hair back to black, I would have less flexibility if I chose to lighten in the future. I might not be able to achieve bright or pastel tones.

Henna as Highlights

This technique is similar to the one described above, only backward. Instead of applying a henna mixture to create lowlights, have a stylist create highlights in your hennaed hair to break up the root line.  As your hair grows, decrease the amount of highlights. If you wish, you may continue applying henna between highlighting. This will create a range of “fire-lights,” giving your hair beautiful dimension. The Ancient Sunrise® Henna for Hair chapter on lightening covers this process in detail. 

            As mentioned above, be sure to conduct a strand test, especially if you have been using a mix containing indigo.

“Firelights” create depth and dimension while blurring the root line.

Condition and Strengthen Without Color

Even if you choose not to color your hair anymore, you can still use products from Ancient Sunrise® to keep your hair beautiful, shiny, and strong.

Cassia

Cassia has similar conditioning properties as henna, with little to no color change on darker hair. To use cassia as a conditioner, simply mix it with distilled water only (no juice or fruit acid) and apply immediately. When it has not released its dye, cassia will condition the hair without affecting color. If your hair is naturally dark brunette or black, you can dye-release cassia for extra conditioning benefits without seeing a change in your hair color. To learn more about using Ancient Sunrise® Cassia for conditioning, click here.

Zizyphus

For those with very light hair, even cassia that has not been dye-released may impart a subtle golden tone. Zizyphus spina christi is another great option for keeping hair strong and healthy without changing its color. Zizyphus is a natural 2-in-1 shampoo/conditioner that both washes and fortifies the hair. Because it leaves a thin layer of plant wax on the hair, it is particularly good for hair that is subject to water, wind, and other harsh environmental factors. Zizyphus balances the hair’s moisture and gives it great shine. Read more about Zizyphus here and purchase here.

Rinse after a few minutes for strong, shiny hair.

As always, if you ever need advice or help, don’t hesitate to contact Ancient Sunrise® Customer Service.